Should you opt for a locking mount? With the review unit Sony sent me, they sent an older 28-135mm F4. The FX9 S-Cinetone Gamma setting helped me to easily and quickly dial in an image straight out of camera that looks really good, like this interview shot at a post house screening room with a film restoration expert. It was a somewhat strenuous trek, but I was rewarded by a spectacular sunset, and the FX9 was a joy to shoot with. Shoot Number Two–Interview Day: I shot three different interviews—all set in different locations of an LA library—for director Robert Bader. And I even tested the camera’s gain at +6dB, and I was pleasantly surprised at how little grain was visible running the camera at ISO 4000 and adding gain. The FX9 review does not cover as many aspects of the camera as the FS7 review, but it covers these topics much more in-depth. S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone And SOOC Colors: In the past, clients have asked me to shoot with the SOOC (Straight Out Of Camera) colors in mind. The Sony XDCA-FX9 extension unit offers not only the V-Mount battery plate but some other extra functions like the RAW output. There’s an external solution, but it’s pricey: You’ll need Sony’s optional XDCA-FX9 extension unit, which costs $2,498 extra. It is possible to tweak various aspects of the AF, like transition speed, sensitivity, and so on. This article shortly summarizes his review. sorry no. Wow. (VENICE dual base ISO 500 and 2500). It doesn’t come as much of a surprise that Sony didn’t put the same sensor as the FX9 and VENICE in the FX6. Many customers already received their camera and shot projects with it. ... a7s iii fx9 philip bloom sony sony fx6. Image credit: Philip Bloom, Philip does not think the autofocus is going to replace the manual focus workflow and focus pullers in the near future. First-Look Review: The Olympus OM-D E-M1 Mark III In Costa Rica, Hands-On Review: Blackmagic Design Pocket Cinema Camera 6K. Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science. So, by the time I made it to the top of the cliffs, I had had a pretty good workout and needed to rest a couple of times. The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. Sony rates the FX9 at 15 stops, the same as the Canon C200 when shooting Cinema RAW Light in Clog 2. JVC-HM650 Review. As image sensors get larger and resolutions get higher, it is becoming more difficult to keep things in focus. The FX9 isn’t the best camera for every user and application, but it’s a very good, solid, all-around, versatile digital cinema camera. The Face Registration function can keep the focus on a particular person and not care about the other faces in the frame. Sony FX9 Review. Add requests, ask questions, post pictures of … Face-Only Mode stays on the subject’s face and when it disappears from the frame, the camera does not refocus to the background. But I’ve never been satisfied with the color science of the FS7 and FS7 MKII straight out of camera. In many real-world scenarios, however, it was performing very well and the AF was reliable most of the time. To test the FX9, I decided to shoot with it in the field as much as possible instead of spending time shooting test charts and taking measurements. It’s a tug of war between the $3,500 a7S III and the $11,000 FX9. Sony PXW-FX9 & PXW-FX6 Group for owners & videographers interested in the "Cinema Line" from Sony. Until now I thought with a touch of a button job can just shuffle through all faces that are recognized in the screen. Leave a Reply Cancel reply. Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. If you’re just using Canon still lenses then probably not. Shoot Number Four–Harbor Shoot: For my last day with the FX9, I decided to capture windsurfers. Copyright © 2020 HD Video Pro. However, I was disappointed, since the weather and conditions just didn’t cooperate. Overall, though, the FX9 behaved well, and the images are great. It will keep looking for a face and when that again reappears, it will track it and keep it in focus. One of the most noticeable things to improve from the FS7 is the color science straight out of the camera. The FX6 features the same 627-point Fast Hybrid AF system found in the FX9 and Sony’s Alpha mirrorless cameras, including advanced Face Detection and Real-time Eye AF. However, it’s very important to point out that at press time, the FX9 doesn’t record in 6K resolution. Also, I was impressed with Sony’s AF technology, which is probably the best in the business. FX9 has a dual base ISO of 800, and 4000 However, I look at this issue a little differently and like what Sony has done with RAW and the FX9. Thanks! The Sony PXW-FX9 Exmor R CMOS sensor is a brand-new variant that is closer in color science to the Venice than the FS7 MKII. The FX6 uses Sony’s E-mount for attaching lenses, making it compatible with more than 50 native lenses and countless dozens third-party lenses. It means the camera needs to be able to handle a decent amount of dynamic range to expose the talent and the projection behind them evenly. 6K, 4K, HD And Frame Rates: Although a headline feature, 6K isn’t really the showstopper you would think it might be with the FX9. I liked how the FX9 supported four audio channels, allowing me to duplicate my two inputs to channels three and four, and offset them to -10dB lower as my safety channels. The lenses I used were fairly slow zooms—the FE PZ 28-135mm f/4.0 G OSS and the FE 100-400mm f/4.5-5.6 GM OSS. Very comprehensive and useful! One of the most important topics is the camera’s autofocus. Sigma MC-11 with new SIGMA lenses seems to have worked very well – almost like a native glass. Dual Base ISO. As a point of reference, here’s how the models compare resolution- and size-wise: The FS7 models use a 4K native S35 sensor, which measures 24.0mm x 12.7mm. Let us know in the comments underneath the article. The AF box tracked the talent like glue and never wavered even once. In real-world shooting conditions, I found the FX9 to be a solid performer. ** High-speed, high-precision image processing maintains a pin-sharp focus. He also tried wearing different masks. Finally released, it covers many aspects of the camera – some of them very extensively. This is going to be a short blog post for now. At the core of the Sony FX9 is a brand new full-frame 6K sensor designed to output to UHD 4K at up to 60fps. Creatives tips and inspirational stories for filmmakers. Marketplace. many of those also allow a small BP-U battery to be inserted to the camera at the same time to provide for a hot-swap ability. EF locking (CM-V1) 2. 6K, 4K, HD And Frame Rates: Although a headline feature, 6K isn’t really the showstopper you would think it might be with the FX9. Sony FX6 view with the Sony FE 24-105mm f/4 G OSS lens. I had a chance to rent the Sony FX9 Full Frame 6K Camera for a few days and test it out. 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